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  • In 1959, Yasujiro Ozu remade his 1934 silent classic A Story of Floating Weeds in color with the celebrated cinematographer Kazuo Miyagawa (Rashomon, Ugetsu). Setting his later version in a seaside location, Ozu otherwise preserves the details of his elegantly simple plot wherein an aging actor returns to a
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  • Zhang Yimou's ( Raise the Red Lantern) tale of a plucky adolescent substitute teacher in a rural Chinese village, cast entirely with nonactors and shot on location, is an astute example of censorship politics. Taking on touchy issues with a veneer of can-do spirit and happy-ending fantasy, his film is at once
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